C-LOG – Canon’s semi-log color space – somewhere between LOG and Rec.LOG – flat color space (BMD Film, RedLogFilm, Cinestyle).The CineColor LUTs come with four additional LUTs that will convert your footage to the standard color space (Rec.709): If your camera shoots in a flat LOG profile, like S-Log (Sony A7S, FS-7, etc.), or C-Log (Canon C100, C300, etc), then you can apply one of our additional LUTs, to convert your footage to Rec.709 So if your camera shoots in Rec.709, then you can directly apply any of the CineColor LUTs to your footage. LUTs can also be used on various field monitors that have LUT support such as the Atomos Shogun or Small-HD DP7-Pro Compatible with most digital video and stills cameras!ĬineColor LUTs work with Rec.709 footage, which is the standard color space. If you are not sure how LUTs are supposed to be used, then watch this quick video That’s it!įor advanced workflow, you can use standard RGB color curves to further tweak each look. It’s a simple process of drag and dropping each LUT onto your footage to see if you like the look that it creates. LUTs are like a magic brush that paint your video to give it a specific look. These original looks have been used in numerous films, music videos and documentaries that Tom has worked on. The entire collection of looks was created by Tom Antos to aid in his workflow over the past few years. Each LUT creates a unique look that can be used on its own, or in combination with your traditional color grading workflow. So I have converted the LUT of the standard to diffrent LUT formats such as: 3dl, a3d, cms, csp, cube, icc, vf.This is a collection of 20 look-up tables (LUTs) that will quickly transform your footage to give it a cinematic look. Now it is not simply possible to download and use the Cinestyle LUT curve, that comes with the technicolor Cinestyle package. I have done this, because Red Giant commercialized the free after effects plugin “LUT Buddy”. Capture clips that can easily be color graded to match different cinematic styles from various sources and genres, including 35mm film. With the CineStyle profile installed on your DSLR, you can: Create a unique Hollywood feel to your productions that matches the look and color capabilities of much more expensive equipment and processes. cube format so there is no need to convert anything as. Looks also works as a plugin but it isn’t free! You can also change gain and gamma via Magic Bullet Looks as well as the LUT curve. The same problem applied to Technicolor CineStyle LUT as well, solved the same way, so not unique to Tom’s LUTs.
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